Camp/Enclave Reversibility

Bratton's rewrite of Agamben's camp as "nomos of the modern": the camp and the bunker (detention and enclave) are "inversions of the same architectural form," one internalizing, one externalizing, sharing a material profile. The Serbian claim that the Bosnian camp photograph was taken from inside looking out is the emblem. What planetary computation adds is that the flip between inside and outside is automated and normalized at the interface — "the exception is the inversion itself" — so that the same partition is enclave for one User and camp for another at the same moment. Utopia and dystopia reverse on the same hinge (Voluntary Prisoners → Foxconn; the "glass fort"). Exit/entrance asymmetries are its everyday form.